Sunday, September 10, 2017

plato's cave forty six (being a film journal) it is happening again

Mark Frost and David Lynch - Twin Peaks: The Return - 2017
Drones and sound design in Part One

Pulsing flashlight (“my flashlights broke”) illuminates a dark car trunk, to heavy drone with electrical flickering. Image goes from the pulsing trunk (a piece of flesh is found, not dissimilar to Blue Velvet), Cut to The Fireman, then to the phonograph record with end credits.

plato's cave forty five (being a film journal) it is happening again

Mark Frost and David Lynch - Twin Peaks: The Return - 2017
Painting connections in Part One, The F. Bacon reference (Body and Head combination on bed) is the most obvious. The log lady in her dark room with red lamb brought some others to mind.

John Singer Sargent - A Dinner Table at Night - 1884

Thomas Wilmer Dewing - The Spinet - ca. 1902

plato's cave forty four (being a film journal) it is happening again

Mark Frost and David Lynch - Twin Peaks: The Return - 2017
Heavy actorshippe, the appearance of Jane Adams in Part One

In Happiness with Jared Harris

In Wonder Boys


Selected filmography

- Light Sleeper - 1992, Paul Schrader dir.
- Mrs. Parker and the Vicious Circle - 1994, Alan Rudolph  dir.
- Kansas City - 1996, Robert Altman dir.
- Happiness - 1998,  Todd Solondz dir.
- Wonder Boys - 2000, Curtis Hanson dir.
- Eternal Sunshine of the Spotless Mind - 2004, Michel Gondry dir,
- Little Children - 2006, Todd Field dir.

Tuesday, September 5, 2017

plato's cave forty three (being a film journal) it is happening again

Mark Frost and David Lynch - Twin Peaks: The Return - 2017
Film and television references in Part One

Continuing The Art of Memory's survey of Twin Peaks: The Return, this entry is on possible film/television references in the series. The point of these posts in general has been to look at the show specifically with structural elements (sound design, cinematography, editing) in mind, and less on plot analysis which is covered by many websites and forums. Certain intentions by the makers dealing with the history of cinema and televions are relevant to this site and will be covered to a degree. These intentions may not exist for Lynch/Frost but they can for the spectator.

There appears to be an abundance of references to specific films or television shows, or genres of film/television in Twin Peaks: The Return. An immediate example that could describe this well is the character of Billy, found behind bars in the Twin Peaks sheriff's department in the later parts of the series. His seemingly unnecessary presence (in addition to being quite comical) is more like some nonsensical reference to the zombie genre, like a character from The Walking Dead walked on set by accident and was used because it worked well. It is quite interesting I think imagining Lynch and Frost saying "let's add in a zombie". Maybe (most likely) it did not happen this way......  It brings to mind the original 2 Twin Peaks seasons which had heavy references to the Soap Opera genre. This reference is now thankfully eschewed for more interesting business.

Oh, yes, hello? Yeah, you don't know me.
This is this is Marjorie Green.
But my neighbor, there's something wrong.
Yeah, um, I haven't seen her in three days.
Oh, and then there's that terrible smell.
And Armstrong smelled it in the Then I smelled it No.
No, Armstrong's my dog.
No Oh, my address? Oh, I-I-I don't know.
Um, oh, my goodness.
Um, yes, oh, I know this.
You know, I know this.
(atmospheric drone)

Intentional or unintentional tip of the hat to the Coen Brothers film Fargo (meets The Shining)? Marjorie Green with her Buckhorn South Dakota accent can't remember her address. Also the later Barney & Ruth Davenport talk between Marjorie Green and the two police is beyond comedy and comprehension.

"Where's the smell coming from, Mrs. Green?"
Endless references to the cop genre from Dragnet to Southland. This is present in many of Lynch's other films; Mulholland Dr., Lost Highway, and Blue Velvet. Comical beat policing and procedural work by detectives. This is later in the series at an extreme with the Detectives Fusco and the Las Vegas FBI.

More of these references will be added as I go through the series, being my third viewing. My knowledge of tv is somewhat limited, so I will probably miss some.

plato's cave forty two (being a film journal) it is happening again

Mark Frost and David Lynch - Twin Peaks: The Return - 2017
From Part One
Coitus interruptus sound design by David Lynch. Backwards droning movement of sound.
A brief moment of time anticipating Tracey and Sam Colby's destruction by
the quite lovely glass box entity.

Sound supervisor/re-recording mixer : Ron Eng & Dean Hurley
Sound mixer : Douglas Axtell
Sound editor : Luke Gibleon
Sound effects editor/supervising foley editor : Willard Overstreet


Thursday, August 24, 2017

plato's cave forty one (being a film journal)

John Carpenter - They Live - 1988

The first documentary this film enthusiast viddied. Probably around 1988 or 1989, my last year of middle school/first year of high school. Helped me to truly comprehend the state of the world at the time, with Reaganomics, yuppieism and such is life. In addition, Alex Cox's Repo Man from 1984 was very enlightening. These days with Trump, neo-nazis, know-it-all Millennials, trigger happy lowlifes and "if you were dying in the mud I would do nothing but loose some spittle on you" contemporary Americans, has this film almost become a reality? Working now on the Upper East Side, this film has further meaning for me (grocery store scene: "I've got one that can see...". I recently listened to Marc Maron's interview with Mr. Carpenter and found his view of the world to be very inspiring. He is a truly great artist with an impressive body of work, which is pretty consistent (something rare). Rather than dwell on the negativity of the world though I would rather embrace this truly beautiful film. Here are some simple observations on this great work, from someone that has watched it over and over through the years.

Frank Armitage, pseudonym for John Carpenter.
Inspired by H.P. Lovecraft’s Dr. Henry Armitage.

Entering Los Angeles, the city of angels, via trains in cinema

Our heroes Roddy Piper and Keith David

Awkward arrangement of spectators in this space,
as one feels like an outsider questioning the man

Our hero passes the time by watching an old timer's tv program.
Carpenter is one of the few that can criticize pop culture and
still make something beautiful and mysterious

"What have you got in that pack? tools?"; actor Peter Jason

Our hero playing harmonica on a lovely Los Angeles night

"I believe in America, I follow the rules….."
(similar to Bonasera’s words in The Godfather)

Jack Nance like character (later, very surprisingly, turns yuppie)

Hard to stomach yuppieism, typing with finger nails

Direct response to Reagan and yuppies :

"Our impulses are being redirected,
We are living in an artificially-induced state of consciousness, that resembles sleep
The movement was began eight months ago by a small group of scientists,
Who discovered quite by accident these signals being sent, through….
The poor and the under-class are growing,
Racial justice and human rights are non-existent,
They have created a repressive society, we are their unwitting accomplices,
Their intention to rule rests with the annihilation of consciousness.
We have been lulled into a trance,
They have made us indifferent, to ourselves, to others….
We are focused only on our own gain,
Please, understand, They are safe as long as they are not discovered,
That is their primary method of survival,
Keep us asleep, Keep us selfish, keep us sidated
They are dismantling the sleeping middle-class
more and more people are becoming poor,
We are their cattle, We are being bred for slavery,
The signal must be shut off at the source."

Laboratory for making goggles whilst “I love to praise his name” plays in church

Lovely green church glass with red and black coming through, (day and night)

Police invading transient camp/church.
Photography with lens refractions, flares, soft focus and the like.
Scene reminds one of The Terminator.
 Cinematography by Gary B. Kibbe

Flared out image dissolves to fire pit flame under tv
(moronic ad onanistically absorbed on a clothing line announcing
the roaring nineties, now in 2017 the dominant fashion trend)

Beautiful shot with our hero buggering off with goggles,
pigeons heard in background

Some lovely and intriguing sentiments

Our first alien-yuppie - “what’s your problem?”

Rotating sleep advisor

Further yuppieism with some heavy dark ambient undercurrent

Reaganisms and pre Bush nonsense (other films of note -
The Big Lebowski and Repo Man) “the feeling is definitely there,
it’s a new morning in America; fresh, vital. the old cynicism is gone,
we have faith in our leaders. we don’t need pessimism”.
The brand name of the tv is very nice; sleep 8 hours
maybe a Max Richter tv

“That’s like pouring perfume on a pig”.
Funny both women look the same with and sans goggles

Snake eyes introduced… Meg Foster
Recently played a Vegas cashier in Lynch’s Twin Peaks

5 minute 20 seconds fight scene,
inspired by John Ford’s memorable brawl in The Quiet Man from 1952

Los Angeles transient hotel. Of the many great LA films, this one stands out

Downtown living, post alien realization, conversation between Nada and Frank
“maybe they’ve always been with us, those things out there… maybe they love it,
seeing us hate each other, watching us kill each other off, feeding on our own
cold fucking hearts [beer opens]…. I got news for em, gonna be hell to pay”

“Watch out no-one follows you, the world needs a wake up call”

Ending “hey whats wrong baby"