Sunday, July 23, 2017

plato's cave thirty two (being a film journal) it is happening again

Mark Frost and David Lynch - Twin Peaks - 2017
From Part One, Introduction of an essential element in the new Twin Peaks : electricity

Cooper is with the Giant (or ????????), played by Carel Struycken, in a backwards space; similar but most likely not the Black Lodge. The giant has been seen previously in another form, as the Room Service Waiter of the Great Northern Hotel (played by Hank Worden, the great John Ford actor, the Shakespearean fool who only longed for "a roof over his head and a rocking chair by the fire."). 

Different from the Black Lodge which is red, this space is black & white. Initially when seeing the Black Lodge in the 90s, this viewer was struck by the method Lynch achieved the oddness of these scenes.... having the actors go through the lines backwards and then playing them backwards so they appear forwards (image and sound). The glitches and imperfections became quite striking from this technique. Here in the phonograph scene, the backwards technique is present. The backwards technique is truly one of the most unique and otherworldly techniques in film history.

In this scene one observes the phonograph crackling... it is more an electrical crackle rather than the sound of a a needle on a record. These electricity sounds continue through the series. Here the sound mimics crow caws.

Cooper listens to the electricity.....

The sounds are followed by the Giant saying "Agent Cooper. Listen to the sounds (electricity loop). It is in our house now. It all cannot be said aloud now. Remember … 430. Richard and Linda. Two birds with one stone.”

The electricity continues to crackle and Cooper crackles into disappearance.

More detail emerges on ????????'s environment especially in The Return: Part 8 (episode 8). It is a fascinating place, more on this space later.

"Richard" is Richard Horne? the sadistic trash offspring of Audrey Horne and Bad Cooper? Linda? Linda remains unclear.

Saturday, July 22, 2017

heavies and melon farmers

rest in peace these mesmerizing heavies
can't imagine a cinema without them
john heard (sopranos)
george romero (night of the living dead)
martin landau (crimes and misdemeanors)

the drawings of emily nelligan






the work of emily nelligan

Sunday, July 16, 2017

plato's cave thirty one (being a film journal) it is happening again

david lynch and mark frost - twin peaks - 2017*
opening credit sequence


the opening credit sequence for part one** varies slightly from later parts as it has the i'll see you again in 25 years intro (see images one through seven) which is accompanied by a drone undercurrent. the intro begins in the black lodge with a rather psychedelic filming of the floor's "chevron pattern" and the red velvet curtains. it then shows agent cooper and laura palmer with her message of i'll see you again in 25 years, a backwards finger snap, and the meanwhile hand gesture. there is some conjecture on the meaning of the meanwhile hand gesture. the intro then shows a montage of the saw mill, the twin peaks school, and a young female student running and crying in slow motion seen through school windows. there are some subtle yet hair-raising orchestral flair ups in the soundtrack during the running, not unlike something you would hear in the shining, then back to laura palmer's picture prominently featured in the school's trophies display window.

in addition, the opening credit sequence for the first part (or episode) does not have laura palmer's face multi-exposed over the waterfall as it does in later parts, as it would have been redundant to her face seen at the end of the intro.


the remainder of the title sequence is consistent with the rest of the series***. it begins with a dazzling aerial shot of the twin peaks waterfalls, or snoqualmie falls, then a very slow dissolve to the red curtains, followed by a very slow dissolve to the chevron floor. the floors and curtains dissolving and shifting is quite mesmerizing. the sequence ends with a dissolve to black.

to my ear****, the badalementi track twin peaks theme is a shortened version from the first and second season (and the ost) of twin peaks. it sounds to me to be a new recording which is very close to the original, but it might just be a goosed up version of the original.

variations from the original are the beautiful drone introduction,  reverberant cymbals which begin around the time the camera starts tracking the falls, distant water sounds which are heard as the falls descend, and lastly a doom-laden drone that fades up around the time the chevron pattern appears.

all these variations from the original have something of a dramatic effect on the viewer, and warn of what is to come in the next 18 hours.... less soap opera business that dominated much of the first two seasons (especially the second), and more abstractions and mysteries that will dominate this season.

the beauty that is this title sequence has much to do with, i assume, the editing brilliance of duwayne dunham. the slow dissolves are so unlike much of what one sees in narrative film or television, and are more commonplace in avant-garde and european film. dunham also edited blue velvet, wild at heart, and parts of season one and two of twin peaks. his work throughout this 18 hour work is groundbreaking and has much to do with the effect this work has.

*this series on twin peaks aims to mainly look at visual and sonic mysteries happening in the series.

**in an interview with dean hurley, music supervisor for lynch, he stated lynch saw the new twin peaks as a single movie with sections or "parts", rather than episodes: "the whole thing - remember - was one giant script shot as one long movie. that’s why he is calling these “parts” and not “episodes” - because they weren’t designed to have arcs between each bit like a normal television show. he (lynch) was interested in the giant story and slicing the pie up."

***up to part nine when i did this post

***if anyone has more information, or hears it differently, i would be interested in more info.

Saturday, July 8, 2017

plato's cave thirty (being a film journal) it is happening again, preliminary words on television


before devoting the art of memory for an indeterminate amount of time to twin peaks, here are some preliminary words on where the author stands in relation to telvision.

i watched twin peaks season 1&2 as it aired on television when i was in high school (1990-1991). i remember watching with my father, who was the first person to get me really excited about film (when i was around 10 we watched the exorcist together and my life was changed forever). viewing twin peaks had an extreme impact on me. the years after, i rented the vhs tapes and purchased the dvds and rewatched numerous numerous times. i had the laserdisc of the film and watched it many times and loved it (still do). of course the majority of season 2 is quite meaningless, the ones directed by lynch are worth watching more than once, and the last one is a masterpiece.

in college and for many more years, i was only interested in the movies, and with the exception of lars von trier's the kingdom from 1994 (which i saw projected at the castro theatre in about 1997 in sf), i didn't watch any television with the exception of rewatching twin peaks which was always my favourite lynch work.

sometime around 2002-2004 i started watching david chase's the sopranos (1999-2007) and david simon's the wire (2002-2008). both shows had a huge impact on me and renewed my interest in television. over the years i have rewatched these two shows 3-4 times. the sopranos came about because goodfellas was a film i watched over and over and this somehow seemed to be a truly original extension of it. also i was bored in a way with film, couldn't related to what was happening at that moment, like wes anderson.

around the time of season 2 of vince gilligan's breaking bad (2008-2013) my good friend recommended i give it a go as it was beyond words and as good as the two previously mentioned, in his estimation. the program knocked my socks off (and still does). the four shows together remain a standard for the potential of tv (twin peaks, the sopranos, the wire, and breaking bad).


in addition to these fine programs, i have enjoyed the following shows or mini series over the years :
  • bbc's tinker tailor soldier spy (1979) and smiley's people (1982)
  • alastair reid's traffik (1989)
  • alastair reid's armistead maupin's tales of the city (1993)
  • allan cubitt's the fall (2013-2016)
  • chris carter's the x-files (1993 - 2016)
  • jane campion and gerard lee's top of the lake (2013-)
  • paul feig's freaks and geeks (1999-2000)
  • david milch and michael mann's luck (2011-2012)
  • ann biderman's southland (2009-2013)
  • ann biderman's ray donovan (first season only, 2013)
  • fargo (first season, 2014)
  • rod serling's the twilight zone (have only seen various, 1959–1964)
  • todd haynes' mildred pierce (2001)
  • alan clarke's work for tv. saw much of it when living in boston, beautiful work
  • frank darabont's the walking dead (2010-) not the best quality but a guilty pleasure
  • sean durkin's southcliffe (2013)
  • dennis potter's the singing detective (1986)
  • lynda la plante's prime suspect (1991-2006)
  • jimmy mcgovern 's cracker (1993–1996), have seen only part, but enjoyed
  • steven spielberg and tom hanks's band of brothers (2001) & the pacific (2010)
  • joshua brand and john falsey's northern exposure (1990-1995), one of my wife's favs, have only seen some
  • louis c.k.'s horace and pete (2016), this show is truly profound
  • louis c.k.'s louis (2010-2015), another profound one
  • nic pizzolatto's true detective (2014), season 1 is one hell of a show. i personally think both vince vaughn's acting and character ruined season 2.
  • ray mckinnon's rectify (2013-2016), first couple of seasons
  • paul attanasio (and david simon)'s - homicide: life on the street (1993-1999), have only seen some, enjoyed.
  • terence winter's boardwalk empire (2010-2014), only liked the first couple/few seasons
  • larry david's curb your enthusiasm (200-2009) and of course seinfeld
  • richard price and steven zaillian's the night of (2016), one hell of a show
  • todd a. kessler, glenn kessler, and daniel zelman's bloodline (2015-), first season is quite good

these shows i feel ambivalent about or downright don't like. listed here to gives some clues of the viewer's taste and preferences :
  • game of thrones (some good moments and actorshippe, overall though i don't know....)
  • girls (the agony)
  • veep
  • the leftovers
  • lost (my wife always complains at what a waste it was to be addicted to this show.... it starts good)
  • westworld (i don't get it)
  • treme (lost interest when john goodman leaves)
  • six feet under
  • hannibal (i love mads mikkelsen and the books but this show just doesn't work)
  • the young pope
  • homeland (first season is good)
  • house of cards (i like the british version, us version is not bad, has some great actors)
  • better call saul
  • orange is the new black
  • stranger things (overfuckingrated, just popular because of the synth resurgence)
  • the office (uk & us, i like parts of it)
  • sense8
  • dexter
  • daredevil, luke cage, jessica jones
  • black mirror (couple of the brit ones are good like the pigfucker one)
  • love
  • the oa (good until it got ruined with the "movements" business)
  • lilyhammer (started good)
  • the strain (interesting for navigating nyc)
  • fortitude
  • narcos
  • sherlock
  • bosch
  • goliath
  • i love dick (listened to kevin bacon interview and show seemed interesting because of the donald judd element but could not get through the first episode)
  • the night manager
  • mad men (many good parts and actors, but overall not sure about it)
  • sons of anarchy
  • luther
  • broadchurch
  • marcella
  • river
  • happy valley
  • californication
  • fear the walking dead (started good, lost interest)
  • portlandia (some funny bits but mostly not funny)
  • miami vice (loved as a kid but not sure if it holds up)
  • many more i cannot recall

plato's cave twenty nine (being a film journal) it is happening again

gearing up for many in depth entries on david lynch and mark frost's twin peaks. i present forthwith number one with a selection from lewis and clark's journals and an owl-image. in preparation; reading mark frost's wonderful book the secret history of twin peaks: a novel (image above) and i listened to the informative jeff jensen and darren franich's a twin peaks podcast: a podcast about twin peaks, and watching each episode numerous times. plan on concentrating on music, cinematography, mystery, subtleties, sound design, story, actors & characters, and whatever else strikes me.

 lost in the beauty and mystery of the show, frames still reverberating through my brains as i walk and as i sleep.

on a side note, i received an annoyingly negative comment on a previous post. i don't often get comments so it is nice to get one but please leave the negative nonsense to yourself as it is not helpful and makes me want to quit this business. to quote the lord of the rings "be silent! keep your forked tongue behind you teeth. i have not passed through fire and death to bandy crooked words with a witless worm!"

Sunday, June 25, 2017

metalepsis

cd by javier hernando ‎entitled metalepsis 90​/​96
photos by the art of memory's matthew swiezynski

Thursday, June 22, 2017

satellite of love


satellite's gone up to the skies
things like that drive me out of my mind
i watched it for a little while
i like to watch things on TV

satellite of love
satellite of love
satellite of love
satellite of

satellite's gone way up to Mars
soon it'll be filled with parkin' cars
i watched it for a little while
i love to watch things on TV

satellite of love
satellite of love
satellite of love
satellite of

i've been told that you've been bold
with harry, mark and john
monday, tuesday, wednesday to thursday
with harry, mark and john

satellite's gone up to the skies
things like that drive me out of my mind
i watched it for a little while
i like to watch things on TV

satellite of love
satellite of love
satellite of love
satellite of

(first time i heard this was as a young wet behind the ear bugger, in the vu boxset peel slowly & see. i gravitated to it and listened repetitively. didn't take drugs, but found it as a suitable drug. finally heard the lou reed transformer version when i was closer to 30s. somehow never got into the solo work until i was clear of my twenties. such lovely music. i think the beck cover is quite nice too. those fuckers in the background sure can sing, same with the transformer version. unreal business it is)

Sunday, June 11, 2017

trains in cinema, part 11

- john carpenter - escape from new york - 1981

- walt disney etc - dumbo - 1941 (thanks andré cortines)

- atom egoyan - the sweet hereafter - 1997

- sidney j. furie - the ipcress file - 1965

- todd haynes - far from heaven - 2002

- todd haynes - carol - 2015

- john hillcoat - triple 9 - 2016

- john huston - wise blood - 1979

- ted kotcheff - wake in fright -1971

- yorgos lanthimos - the lobster - 2015

- mike leigh - high hopes - 1988

- mike leigh - another year - 2010

- joseph losey - the romantic englishwoman - 1975

- david mackenzie - hell or high water - 2016

- anthony minghella - the talented mr. ripley - 1999

- chan-wook park - the handmaiden - 2016

- alastair reid - armistead maupin's tales of the city - 1993

- wim wenders -  kings of the road - 1976

- billy wilder - some like it hot - 1959