Thursday, January 12, 2017

the eye of the watching sea

keith berry et ingenting kollektiva
the eye of the watching sea



Monday, January 2, 2017

in the year of our lord 2016. bleak and bleak and bleak

music, film, art and books of 2016

with yet another year of treachery from police, politicians and terrorists (foreign and domestic), it was comforting to have some bits of pleasure here and there to remind us that there is still some beauty in this world, even when it seems so damn bleak. not surprising that bleak art speaks more strongly than “put a smile on yr face sonny”. just listen to jóhann jóhannsson’s song a sparrow alighted upon our shoulder to understand what we mean by that.

here are some moments of bliss for the art of memory in the year of our lord, 2016.


 ~ music ~

autechre - elseq 1-5 - warp records
digital only album. i have listened to this release endlessly this year, taking the train in manhattan, harlem and brooklyn, where the only way to deal with the constant chaos is to have a good book and/or something provocative on the headphones. this music is beautiful, gritty, melodic and poisonous. saw autechre live in portland late 2015 and it was surely one of the most transcendent live shows i have encountered, volumes so un-christian that the entire body and mind swayed and floated like the trash in bela tarr's wonderous scene in sátántangó where the two buggers walk down the deserted street in a storm of abjectiles and garbage.

jeremy bible ‎- music for black holes - aole
4 hours of transcendent musical drones from mr. bible’s private archives. this release really lives up to the title. this is a music that invites repetitive listens; the listener again and again looks forward to yet another experience where he or she can get a closer intimacy with the textures and moods found within. in this way the music is quite erotic and sexual.

biosphere - departed glories - small-town supersound
based on a theme close to my heart: polish citizens executed during world war II.  using akira rabelais’ argeïphontes lyre software to mystify/bewilder samples of eastern european folk music, mr. jenssen discovers a music that is close to what aliens far off in the cosmos hear when they use some unimaginable devise to listen to a codger on earth playing a 78 of béla bartók’s field recordings of romanian folk dances.....

thomas brinkmann - a certain degree of stasis - frozen reeds
really lovely structure, textures, and movements. and the relationship to our lord and father mr. morton feldman. something i would like to hear in a better environment than i have right now, with 4 speakers in a huge space.

brian eno - the ship - warp records
mr. eno’s new album, referencing the sinking of titanic and world war i. drones, melodies, and textures float alongside eno's deepening voice. very exciting business.

james hamilton - archive series
have yet to listen to all of these closely but i love the idea of them, and the art work is beyond compare. the ones i have listened to so far are quite nice, like vol. x featuring ghost paths.  those ghosts play some of the best guitar i have heard. the discotheque album (vol. iv) quite shocked my rabbit leviathan when i put it on.

heron oblivion - heron oblivion - sub pop
my wife got this LP in the beginning of the year and i have heard her listen to it what seems like 50 times. such a preposterously killer band for meg baird to record with. with so many extremely popular singers right now that make reference to folk psychedelia and folk britannia, the only one for me in america is really meg baird.

kassel jaeger, stephan mathieu and akira rabelais - zauberberg - shelter press
music revolving around thomas mann’s lovely novel the magic mountain; a microcosm of a world textured by birds, piano, vocals, melodies, and rhythms - all situating the listener in an imaginary swiss sanatorium. includes a fantastic cover by caro mikalef.

jóhann jóhannsson - orphée - deutsche grammophon
jóhann jóhannsson - arrival - deutsche grammophon
two subtle and otherworldly albums from mr. jóhannsson. one a blissed out perusal into “change, mutability, death, rebirth, the elusive nature of beauty”, and the other an overwhelmingly pleasing soundtrack, in what is getting to be a long line of many from him. jóhannsson’s first few albums for touch i thought were “not without interest”, but the last few years he has grown into one of my favourites. his interest and virtuosity in composition and its relationship to sound-texture is clearly unsurpassed. hard to imagine the films he scores being half as interesting without his contribution.

bethan kellough ‎- aven - touch
this is a quite lovely album, but when i for the first time played it and the last track low came on, i was stopped dead in me tracks and i must have listened to it 10 times. one of the best tracks on any touch release that i can think of.

jacob kirkegaard - arc - holotype-editions
kirkegaard’s newly commissioned soundtrack for carl th. dryer’s the passion of joan of arc, using fragments and sketches of music from the times of joan of arc. stunning and ends with a bang!

lustmord - dark matter - touch
i had been waiting for this album for a while after hearing some clips, seeing the artwork, and later being drawn to the idea (music derived from an audio library of cosmological activity collected between 1993 and 2003; sources include NASA, the national radio astronomy observatory, and various public and private collections in the US). the album went way beyond my expeditions and has become one of the most listened to albums of the year. being a strong advocate of dubuffet's texturologies, the history of 19th century cosmos photography, and vija celmin's star drawings - this music is really something.

stephan mathieu - radiance series
drones that move through the atmosphere - slowly shifting and radiating energy, the origin is angelic. if you are present as they radiate by you; then there are goosebumps and other things that are not as easily explained going on in your corp. so pleasing the references mr. fludd, moonlight, 78 record needles and other enchantments.

tomonari nozaki - triptych - forwind
a trio of works on one cd from mr. nozaki. aggressive hickups on the tape machine peaking out over a body of drones that remind one of sugimoto's seascapes (both tranquil and an imagined non-tranquil versions). very heavy music. he gets better with each release.

radiohead - a moon shaped pool - xl recordings
a very nice and proper new album from radiohead, initially was quite drawn to it after reading about the recording process in an old mill near saint-rémy-de-provence in southern france (la fabrique recording studio). regarding the artwork, adam thorpe said: “in one of the larger granges, numerous canvases display abstract explosions of colour. the barn’s speakers are wired up to the recording studios: the band’s resident artist stanley donwood reacts in acrylic to what he hears, the results to be modified and manipulated on computer for the LP’s cover.” also of interest is pt anderson’s video for the track daydreaming.

maja s.k. ratkje - crepuscular hour - rune grammofon
an engulfing and debuggering penderecki/scelsi/nonoesque whirlpool of vocals, strings, and organ drones that leave you in a bewildering place not dissimilar to the immediate state of consciousness after 20 minutes of spinning through a crepuscular forest. once you recover from the fall and your eyes start to focus on the spinning trees, the world beyond the world is revealed.


~ films ~


barry jenkins - moonlight
this film is fantastic from the beginning on, with its lovely formal virtuosity and superb acting. once it gets going, the emotional and intellectual qualities bring you basically to tears. one hell of a good film, hats off to this chap.

yorgos lanthimos - the lobster 
(2015 film with a 2016 theatrical release)
this film really reminds of the excitement i felt when reading authors in my youth that pushed the potential and the idea of "narrative". mainly after reading the works of robert walser. couldn't really think of another film that came close, def not the brothers q. whom seem to miss the point - being too caught up in artifice.

kenneth lonergan - manchester by the sea
my wife and i have been watching mr. longergan's films quite a bit lately, after thinking about films that had been really inspiring in times past, and after some years had improved like a wine. you can count on me is truly profound. this new film by him is not really my favourite but i loved every second of it. lonergan's hitchcockian cameo was so brilliant.

denis villeneuve - arrival
i have really love villeneuve's films over the years. after an initial viewing of arrival, i was possibly thinking that it was not my favourites of his, but i had to admit to being taken in by the look and sound of it, and by the performances. forest whitaker - what an underrated actor - to have lived without seeing him in the crying game, smoke, or bird; i do not want to imagine.

david mackenzie - hell or high water
nice bit of tejas business and always a pleasure to see mr. bridges.

jeff nichols - midnight special
this is one strange film. was not totally behind it or understanding it but very much looking forward to a second viewing. michael shannon! the fucker doesn't mess around. i also enjoyed him in nocturnal animals.

dan trachtenberg - 10 cloverfield lane
john goodman is wonderful to watch in this film. not easy going..... very nice bit of variation on the end of the world film.

did not get a chance to see scorsese's silence, but looks like one for this list.

maren ade - toni erdmann 

chan-wook park - the handmaiden

~ television ~

louis c.k. - horace and pete
louis c.k. is one hell of a filmmaker, thinker and artist. anyone not sure of that should listen to him on maron's what the heck, this show horace and pete, self-released by him this year, is truly profound and has some of the best writing and acting on television. being someone that has devoted his life to film and has been "around the block" with the classics, i tend to get irritated by the lack of quality on television. i love the way the light feels on my eyes though, so i don't restrict myself to film and watch a ton of tv. i often times though just find myself totally alienated by what i am watching (westworld....stranger things), or uncomfortable that i have spent so much time with a show (to many to name). most creators of television seemed to not understand the concept of editing. horace and pete is as tight as a nun's habit.

steven zaillian & richard price - the night of
not a great show but i really enjoyed the subtle moments found within, like the eczema in mr. turturro's feet and how he deals with it, and his relationship with the lovely cat. the detective dennis box and his melancholia with his own laziness and lack of integrity. reminds me of a much more subtle and less deranged character that harvey keitel played in bad lieutenant. great looking too, with impressive sound design.
allan cubitt - the fall, season three
did not enjoy as much as the first season, but it is lovely on the eyes and ears, especially gillian anderson and john lynch.

~ live shows ~ 

andy stott at analog bkny

alessandro cortini at analog bkny

dylan carlson at the cloisters

yoshi wada at yale union

philip jeck at holocene

bill orcutt at turn turn turn

~ museum/gallery exhibitions ~

bruce conner at moma

agnes martin at guggenheim

hilma af klint, ydessa hendeles, harry smith, & wilson bentley at the new museum (the keeper)

mark rothko dark palette at pace gallery

malevich, mondrian, newman, pollock, rothko and still at di donna

un-finished: thoughts left visible at met breuer

nasreen mohamedi at met breuer

jmw turner whaling pictures at the met

marianna olinger at national academy museum & school

jean dubuffet and hans memling at the morgan library

richard serra at gagosian

gabriel de la mora at the drawing center

eric graham at black ball projects

nicholas roerich at nicholas roerich museum (ongoing)

~ books ~

nasreen mohamedi. waiting is a part of intense living - the metropolitan museum of art / museo nacional centro de arte reina sofía

bruce conner: it's all true - university of california press

abstract expressionism by david anfam - royal academy books

dubuffet drawings 1935-1962 - thames & hudson

jean dubuffet: anticultural positions - acquavella/rizzoli

the voynich manuscript - yale university press

Thursday, December 8, 2016

foolish or unacceptable behavior


i am not sure if anyone gives a rat's fig but a year plus after hearing and working on these tracks, i found it interesting to hear the original james hamilton ghost track and then the ingenting kollektiva lovingly tom f*ckery of it :

original JH track


unacceptable IK version

great dark birds (instrumental variant)


the art of memory has not had internet in over a month. just got it today and posting a medley of forthcoming tracks from james hamilton, one of which has matthew swiezynski stumbles guitar on great dark birds (instrumental variant) & dust and water III (instrumental variant)

this is lovely business and glad to have taken part. looking forward to LP coming out

Saturday, October 1, 2016

radiance - it was a fine august day in the year 1913


1. which, remarkably enough, does not get any one anywhere.

there was a depression over the atlantic. it was travelling eastwards, towards an area of high pressure  over  russia,  and  still  showed  no  tendency  to  move  northwards  around  it.  the isotherms  and  isotheres  were  fulfilling  their  functions.  the  atmospheric  temperature  was  in proper relation to the average annual temperature, the temperature of the coldest as well as of the hottest month, and the a-periodic monthly variation in temperature. the rising and setting of the sun and of the moon, the phases of the moon, venus and saturn’s rings, and many other important phenomena, were in accordance with the forecasts in the astronomical yearbooks. the vapour in the air was at its highest tension, and the moisture in the air was at its lowest. in short,  to  use  an  expression  that  describes  the  facts  pretty  satisfactorily,  even  though  it  is somewhat old-fashioned: it was a fine august day in the year 1913.


listening to the new stephan mathieu album i thought back to the opening paragraph of robert musil's the man without qualities. sublime intricacies of jouissance obscured beautifully by fog and phenomena




selected works by stephan mathieu :

    - frequencylib - ritornell - 2001
    - sad mac studies - en/of/schwebung - 2001/2012
    - die entdeckung des wetters - lucky kitchen - 2002
    - on tape - häpna - 2004
    - the sad mac - headz - 2004
    - with janek schaefer - hidden name - cronica - 2006
    - with akira rabelais - quien era aquella - conv - 2006
    - radioland - die schachtel - 2008
    - the key to the kingdom - dekorder - 2009
    - with taylor deupree - transcriptions - spekk - 2009
    - remain - line - 2011
    - a static place - 12k - 2011
    - with caro mikalef - radioland (panorámica) - line - 2012
    - with sylvain chauveau - palimpsest - schwebung - 2012 (lp)
    - coda (for wk) - 12k - 2012
    - with david sylvian - wandermüde - samadhisound - 2013
    - the falling rocket - schwebung - 2013
    - sacred ground - schwebung - 2014
    - nachtstücke - schwebung - 2015
    - before nostromo - schwebung - 2015
    - with kassel jaeger & akira rabelais - zauberberg - shelter press - 2016
    - radiance series - schwebung - 2016

(design by caro mikalef for cabina )


Wednesday, September 21, 2016

the white rose

bruce conner the white rose - 1967

recently viewed at moma, and the wonderful bruce conner exhibition.
see bruce conner on jay defeo

Sunday, September 11, 2016

impressions en haute atmosphere

josé antonio sistiaga impressions en haute atmosphere - 1989

classic drone series
sound, sound design, music in film



music - waslaw s. beklemicheff

third time seeing the phenomenal film impressions from the upper atmosphere by the basque filmmaker and painter josé antonio sistiaga.

first at harvard film archives in the mid ninities, seen in the articulated light: the emergence of abstract film in america series, curated by bruce posner and introduced by stan brackage.

second in san francisco at the sf cinematheque, although the films were shown with music by savage republic.

third time the other night at the moma, in the from doodles to pixels: over a hundred years of spanish animation series. 

here is an excerpt of the soundtrack. i couldn't find out anything really about waslaw s. beklemicheff. he seems to be to be an unknown master. his work reminds me very much of thomas köner.  if any readers of this site have info on him, i would be much appreciative. here is the full film.

Thursday, September 1, 2016

the dragon rampant (surgical addiction)

michael mann manhunter - 1986

classic drone series
sound, sound design, music in film



will graham visits with hannibal lecter "to get the old scent back again". having left, he has trouble breathing and the grass goes out of focus, then focus regains with breathing.  freddie lounds photographs graham for tattler



taking freddie lounds



trembling in awe of tom noonan's voice


classic michael mann ending with violence, ellipses in editing, non-natural motion (raging bull), and extreme disorientation set to iron butterfly's in-a-gadda-da-vida, with a right channel guitar abstractions that starts with a roar appropriate to the red dragon

sound mixer - john w. mitchell
re-recording mixer - don digirolamo, robert glass, robert knudson
sound - jim bridges
supervising sound editor - robert r. rutledge
sound editors - george h. anderson, david a. arnold, michael j. benavente, steve borne, ed callahan, susan dudeck, scott hecker, john a. larsen, bob newlan, frank serafine, charles ewing smith, jay wilkinson
looping editor - j. paul huntsman
stereo sound consultant - jim fitzpatrick
music - michel rubini, the reds


jonathan demme the silence of the lambs - 1991




clarice starling descents to speak with hannibal lecter. this drone sound plays again when starling returns to see lecter and a little more minimally the third time she visits



buffalo bill / jame gumb regards catherine baker martin with infrared goggles

billy in his lair with colin newman's alone (later covered by this mortal coil) playing softly under the sounds of the dog, sewing and baker martin.

tape of glenn gould's js bach's goldberg variations playing during lecter's slaughtering of sergeants pembry and boyle



music box with semi-lewd images to cat to birds. music box pitch modified/interrupted by discovery of said photos

ted levine doing his business to q lazzarus' goodbye horses. levine is one great actor. other notable rolls include heat, birth, shutter island, american gangster, and ray donovan. apparently malkovich turned down the jame gumb roll (thankfully).

sound designer - skip lievsay
re-recording mixer - tom fleischman
re-recordist - douglas murray, sean squires
production sound mixer - christopher newman
foley artist - marko a. costanzo, jörg klinkenberg
foley editor - frank kern, steven visscher
sound recordist - john fundus
dolby stereo consultant - robert f. warren
music - howard shore


having just read thomas harris' first two hannibal lecter novels red dragon (1981) & the silence of the lambs (1988), re-watching manhunter and the silence of the lambs seemed appropriate. presented are some moments of sound and music from the films. following are blake's great red dragon paintings. living now near the brooklyn museum, i was interested to read in the red dragon when francis dolarhyde visits and wreaks havoc at the museum to see the great red dragon and the woman clothed with the sun. (ps - i'm not much taken by bill blake's visual work, but these are quite interesting to me, at least for the subject matter)


1. the great red dragon and the woman clothed with the sun (also titled ...clothed in sun) in brooklyn
2. the great red dragon and the beast from the sea
3. the great red dragon and the woman clothed with the sun
4. the number of the beast is 666

entry titled from manhunter, when the red dragon talks with freddie lounds and the rather funny title of lecter's preoccupation while incarcerated

Thursday, August 25, 2016

séverine

luis buñuel belle de jour - 1967

classic drone series
sound, sound design, music in film



film's ending where the viewer finds themselves in the ambiguous area between dream and reality. 

this slowly unfolds with the sounds of a clock, rain, footsteps, a horse-drawn carriage, and a cat. and is interrupted occasionally with dialogue (which here has been edited out).


rené longuet - sound engineer
pierre davoust - sound assistant

in addition, rené longuet and pierre davoust did sound for le samouraï 

Tuesday, August 23, 2016

trains in cinema, part 10

- woody allen - manhattan - 1979

- woody allen - sweet and lowdown - 1999

- wes anderson - the grand budapest hotel - 2014

- ann biderman - southland - 2009-2013

- guy burt - the bletchley circle - 2012

- john carpenter - halloween - 1978

- scott cooper - out of the furnace - 2013

- anton corbijn - a most wanted man - 2014

- allan cubitt - the fall - 2013

- andrew dominik - killing them softly - 2012

- fennesz / wozencroft - liquid music - 2012

- kon ichikawa - odd obsession - 1959

- jim jarmusch - only lovers left alive - 2013

- wong kar-wai - the grandmaster - 2013

- tommy lee jones - the three burials of melquiades estrada - 2015

- mike leigh - mr. turner - 2014

- david lynch - twin peaks - 1990-1991

- jim mickle - cold in july - 2014

- michael mann - manhunter - 1986

- paul mazursky - harry and tonto - 1974

- alexander payne - nebraska - 2013

- nic pizzolatto - true detective - 2014

- roman polanski - frantic - 1988

- don siegel - dirty harry - 1971

- paolo sorrentino - youth - 2015

- götz spielmann - revanche - 2008

- françois truffaut - the soft skin - 1964

- william wyler - roman holiday - 1953

- andrzej zuławski - possession - 1981


dear readers (if there are any readers left),

the humble administrator of the art of memory has moved to the fine city of new york (specifically brooklyn) and has decided to make a new attempt at working through this website.

thanks for inspiration from danny at mubi.  i will try to make entries for as many filmic and sonic inspirations as i can find here (which are o the plenty).

i let the site go dormant in the past as i didn't think anyone was interested. in addition i got some complaints for putting up sound clips from films which was frankly quite offensive. hopefully there are some fellow pursuers of the light out there, and i will give it another go.

i started with some images i collected mostly around 2014-15 of trains. more to come....

ms