Showing posts with label tomonari nozaki. Show all posts
Showing posts with label tomonari nozaki. Show all posts

Wednesday, September 25, 2013

in the shadow's light


visual accompaniment to north palace, music and image by tomonari nozaki

 listen, it is the same with the morning rain
when you lift up the curtains of water
to venture out, and further than color,
into the unknown of puddles and shadows.

yves bonnefoy, from the edge of the woods,
  from in the shadow's light, 1987
translated by john naughton

Friday, September 13, 2013

destruction analogique




live edit of une histoire de bleu by tomonari nozaki
there are some copies of his release still available via our parent company invisible birds

sea, none has measured all thy dark abyss,
none,
the sea, thy mirror
live in darkness and in mystery
by the sound of this love carnage and death
(distracted l'homme et la mer)

Monday, June 17, 2013

une histoire de bleu & to dye every night



* 2 new releases on invisible birds *

une histoire de bleu by mr. tomonari nozaki. abstract sound projections & melodies using destruction techniques discovered with reel to reel tape-loop splicings and other analogue romanticisms. mr. nozaki has beginnings in minimal techno and experimental music, and after a slight pause from music, has returned in 2012 with some transcendental experimentations into the rarely visited places of "liminality" and "the sublime".

to dye every night by mr. thomas bel. rain, voice, guitar and reverse romanticisms. presented with a deceptively simplistic language, minimalistic, yet sublimely scuttling across the floors of silent seas. perhaps yearning for love and cruelty, a slowly growing blindness, impossible memory.
(as borges described it)

handmade numbered editions of 100, with  a tipped in plate and booklet.
photography and design by matthew swiezynski

Saturday, March 30, 2013

push back into the shadows the things that come forward too clearly (visitors and suicides)

jim haynes - the wires cracked - 2013

have found nothing to eat and are returning with tired wings to their nests; at the craggy cliffs along the sea-shore; at the fires burning on the masts of invisible ships; at the muffled sound of the waves beating against the huge fish who, as they swim, reveal their black backs and then plunge down again into the fathomless depths; and against man, who makes slaves of them. after which, they start running again through the countryside, bounding across ditches, paths, fields, through weeds and over steep rocks, their paws bleeding. their prolonged howls fill nature with dread.
(lautréamont - maldoror, 39)

tomonari nozaki ‎- north palace - 2013

about these places especially, dark, almost dirty, shadows gathered. come to discover beauty in shadows. the light from the garden; fragile, dying rays, avoid the failure to comprehend the mystery of shadows, and especially not to disturb the glow. listening to the murmur that penetrates, what lies within the darkness one cannot distinguish. the spell disappears from the dream world built by that strange light, what feeble light there was i could imagine. a part picked up by a faint light. water lines harmonize with and bury the wires.  the beauty of the grain begins to emerge, left obscure, shrouded in a dusky haze. softness and warmth of the still dimmer light, the aura of depth and mystery.  set out in the night, and recede into darkness. dreamlike glow that suffuses it.
(tanizaki - manipulated in praise of shadows)

atay ilgun & alper yildirim - aokigahara, the black sea of trees - 2012
wounded wolf press

the waves tower, and the suicide phenomenon, a labyrinth forest and postwar nihilism that expanded the scope and further darkened the atmosphere of the wind-blocking density of the trees and an absence of deer, rabbits and the like, this forest is known for being exceptionally quiet!

autechre - exai - 2013
warp / autechre

darkness hummed about him, clinging to him like coagulated, damp warm wool. the terror he had felt as intimation fused with the darkness became whole and real. he could see a little now: the darkness had grown horizontal lines of gray, as if it had begun to decompose. "i just feel tired' he said.
(p.k. dick - ubik)

jacob kirkegaard ‎- conversion - 2013
touch / kirkegaard

wrapped in his cloak, a book in his lap, our traveller rested; hours slipped by unawares. it stopped raining, the canvas was taken down.  the horizon was visible right round; beneath the sombre dome of the sky stretched the vast plain of empty sea. but immeasurable unarticulated space weakens our power to measure time as well: the time-sense falters and grows dim. strange, shadowy figures passed and repassed. (t. mann - death in venice)