time, rhythm and editing

andrei tarkovsky - the mirror - 1975

classic drone series
sound, sound design, music in film

rain, fire, melody, drone

there must be other ways of working with sound, ways which would allow one to be more accurate, more true to the inner world which we try to reproduce on screen; not just the author's inner world, but what lies within the world itself, what is essential to it and does not depend on us.

from sculpting in time, page 159

sound - semyon litvinov