no sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and i stopped, intent upon the extraordinary thing that was happening to me. an exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. and at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory - this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me it was me. ... whence did it come? what did it mean? how could i seize and apprehend it? ... and suddenly the memory revealed itself. the taste was that of the little piece of madeleine which on sunday mornings at combray (because on those mornings i did not go out before mass), when i went to say good morning to her in her bedroom, my aunt léonie used to give me, dipping it first in her own cup of tea or tisane. the sight of the little madeleine had recalled nothing to my mind before I tasted it. and all from my cup of tea.
Sunday, November 3, 2013
Saturday, November 2, 2013
Monday, October 28, 2013
(sounds like dirt xxix) satellite of love
satellite's gone
up to the skies
things like that drive me
out of my mind
i watched it for a little while
i like to watch things on tv
satellite of love
satellite of love
satellite of love
satellite of
satellite's gone
way up to mars
soon it will be filled
with parking cars
i watch it for a little while
i love to watch things on tv
satellite of love
satellite of love
satellite of love
satellite of
satellite's gone
up to the skies
things like that drive me
out of my mind
i watched it for a little while
i love to watch things on tv
satellite of love
satellite of love
satellite of love
satellite of
satellite of love
satellite of love
satellite of love
satellite of love
satellite of love
satellite of love
Saturday, October 26, 2013
(sounds like dirt xxviii) set the controls for the heart of the sun, atmospheric afterglows
little by little the night turns around
counting the leaves which tremble at dawn
lotuses lean on each other in yearning
under the eaves the swallow is resting
set the controls for the heart of the sun
over the mountain watching the watcher
breaking the darkness, waking the grapevine
one inch of love is one inch of shadow
love is the shadow that ripens the wine
set the controls for the heart of the sun
the heart of the sun, the heart of the sun
witness the man who raves at the wall
making the shape of his questions to Heaven
whether the sun will fall in the evening
will he remember the lesson of giving?
set the controls for the heart of the sun
the heart of the sun, the heart of the sun
images by william ascroft, atmospheric afterglows
thanks to öl byrd for the images
Labels:
pink floyd,
sounds like dirt,
william ascroft
Friday, October 25, 2013
(sounds like dirt xxvii) high on amphetamines
everything is exactly right
when i walk around here drunk every night
with an open container from squirrel is my spirit animal
in st. ides heaven
i've been out haunting the neighborhood
and everybody can see I'm no good
when i'm walking out between parked cars
with my head full of stars
high on amphetamines
the moon is a light bulb breaking
it'll go around with anyone
but it won't come down for anyone
you think you know what brings me down
that i want those things you could never allow
you see me smile and you think it's a frown turned upside-down
cos everyone is a fucking pro
and they all got answers from trouble they've known
and they all gotta say what you should and shouldn't do
though they don't have a clue
high on amphetamines
the moon is a light bulb breaking
it'll go around with anyone
but it won't come down for anyone
and i won't come down for anyone
photo by joe squirrel
Wednesday, October 9, 2013
(sounds like dirt xxvi) let me enfold you
long afloat on shipless oceans
i did all my best to smile
'til your singing eyes and fingers
drew me loving to your isle
and you sang
sail to me
sail to me
let me enfold you
here i am
here i am
waiting to hold you
did i dream you dreamed about me?
were you hare when i was fox?
now my foolish boat is leaning
broken lovelorn on your rocks,
for you sing, 'touch me not, touch me not, come back tomorrow
o my heart, o my heart shies from the sorrow'
i am puzzled as the newborn child
i am troubled at the tide
should i stand amid your breakers?
should i lie with death my bride?
hear me sing, 'swim to me, swim to me, let me enfold you
here i am, here i am, waiting to hold you'
tim buckley, larry beckett, this mortal coil (cocteau twins), david lynch
image, j.m.w. turner as rothko looking at the sea
Labels:
j.m.w. turner,
sounds like dirt,
this mortal coil,
tim buckley
Wednesday, September 25, 2013
in the shadow's light
visual accompaniment to north palace, music and image by tomonari nozaki
listen, it is the same with the morning rain
when you lift up the curtains of water
to venture out, and further than color,
into the unknown of puddles and shadows.
when you lift up the curtains of water
to venture out, and further than color,
into the unknown of puddles and shadows.
yves bonnefoy, from the edge of the woods,
from in the shadow's light, 1987
translated by john naughton
translated by john naughton
Labels:
avant-garde film,
drone,
tomonari nozaki,
yves bonnefoy
Tuesday, September 17, 2013
one hundred classic minimalism, electronic, ambient and drone recordings
have made some additions and modifications to this list
http://theartofmemory.blogspot.com/2012/11/one-hundred-classic-minimalism.html
Friday, September 13, 2013
destruction analogique
live edit of une histoire de bleu by tomonari nozaki
there are some copies of his release still available via our parent company invisible birds
sea, none has measured all thy dark abyss,
none,
the sea, thy mirror
live in darkness and in mystery
by the sound of this love carnage and death
(distracted l'homme et la mer)
Friday, August 23, 2013
Friday, August 9, 2013
community of light, an atlas of modern drone psych post kosmische fuckery
community of light will be playing tomorrow (8.10.13) in marin
gabrielson park in sausalito, noon sharp
Saturday, August 3, 2013
community of light, part one (the light that we call darkness)
w/ chi yun, matthew swiezynski , & michael malinski
synths, vocals, guitar, delay/reverb devises, acoustic bass, zither, harmonicas, and various prayer bowls
one noteworthy critic has said of community of light :
community of light reconceives a music that has for a long time been gathered from the invisible and most ancient of all communities, which has been in existence since the creation of the cosmos, and will be with us through the end of time. this music has pursued the light that we call darkness, and a sound we call silence (with a method called night vision), and found a psych drone kosmische music therein.
Thursday, July 11, 2013
invisible birds in saint raphael
invisible birds will be performing this saturday in san rafael california with bryan day, jeffrey alexander, and justin rhody, "probably reaching a bit of a psych drone"
please come by if interested
thee torpedo factory 1201 andersen dr suite p san rafael ca, 94901 7pm to midnight
(invisible birds photo by chi yun)
(invisible birds photo by chi yun)
Labels:
chi yun,
drone,
invisible birds,
matthew swiezynski
Monday, June 17, 2013
une histoire de bleu & to dye every night
* 2 new releases on invisible birds *
une histoire de bleu by mr. tomonari nozaki. abstract sound projections & melodies using destruction techniques discovered with reel to reel tape-loop splicings and other analogue romanticisms. mr. nozaki has beginnings in minimal techno and experimental music, and after a slight pause from music, has returned in 2012 with some transcendental experimentations into the rarely visited places of "liminality" and "the sublime".
to dye every night by mr. thomas bel. rain, voice, guitar and reverse romanticisms. presented with a deceptively simplistic language, minimalistic, yet sublimely scuttling across the floors of silent seas. perhaps yearning for love and cruelty, a slowly growing blindness, impossible memory.
(as borges described it)
handmade numbered editions of 100, with a tipped in plate and booklet.
photography and design by matthew swiezynski
Thursday, June 13, 2013
oh, my beloved, allow my kisses to speak for me
matthew swiezynski juliette 1998, 16mm (excerpt)
magic hour film. shot in huntington park, san francisco
sound by tarrl lightowler and matthew swiezynski, 1998
modifying a 78 rmp record with a reel to reel deck
soon to be released on bluray on invisible birds with a
second 16mm film from the same period
(film title and entry title from the marquis de sade's juliette,
first published in 1797)
Subscribe to:
Posts (Atom)