take me out tonight, take me anywhere, i don't care, i don't care, i don't care (forthcoming red camera film on invisible birds)

(forthcoming red camera film)

take me out tonight
where there's music and there's people
and they're young and alive

driving in your car
i never never want to go home
because i haven't got one anymore

take me out tonight
because i want to see people
and i want to see life

driving in your car
oh please don't drop me home
because it's not my home, it's their home
and i'm welcome no more

and if a double-decker bus
crashes in to us
to die by your side
is such a heavenly way to die
and if a ten ton truck
kills the both of us
to die by your side
well the pleasure, the privilege is mine

take me out tonight
take me anywhere, i don't care
i don't care, i don't care
and in the darkened underpass
i thought oh god, my chance has come at last
but then a strange fear gripped me
and i just couldn't ask

take me out tonight
oh take me anywhere, i don't care
i don't care, i don't care

driving in your car
i never never want to go home
because i haven't got one
no, i haven't got one

and if a double-decker bus
crashes in to us
to die by your side
is such a heavenly way to die
and if a ten ton truck
kills the both of us
to die by your side
well the pleasure, the privilege is mine

there is a light that never goes out
there is a light that never goes out
there is a light that never goes out
there is a light that never goes out
there is a light that never goes out
there is a light that never goes out
there is a light that never goes out
there is a light that never goes out

(many red films in progress by t. lightowler and m. swiezynski)

(access to the red camera was due to an hungarian-polish grant in the name of the great sexagenarian horn historian sir reginald frederick morley pegge)