Showing posts with label westerns. Show all posts
Showing posts with label westerns. Show all posts

Thursday, January 10, 2019

plato's cave seventy nine (being a film journal)

12.24.2018
Stanley Kubrick - 2001: A Space Odyssey - 1968
Watched the new 4k disc in an amazing home theater with 5.1 and Sony 4k projector. Volume to the max.

12.26.2018
Denis Villeneuve - Blade Runner 2049 - 2017
Again the new 4k disc with some heavy as hell bass.

12.27.2018
The Brothers Coen - The Big Lebowski - 1998
Another rewatch this year of this film.

12.29.2018
Andrei Tarkovsky - Andrei Rublev - 1966
Finally watched the Criterion blu-ray, a favorite from my youth. One of Tarkovsky's best. Endlessly enjoyable music by Vyacheslav Ovchinnikov. A 10/10 or maybe 11/10 rating. The intro hot air balloon sequence never ceases to amaze.

Tamara Jenkins - Private Life - 2018
Ok film, always enjoy watching Paul Giamatti.

12.30.2018
John McTiernan - Die Hard - 1988
A rewatch of this Christmas in July classic.

1.2.2019
Alfonso Cuarón - Roma - 2018
Second time seeing this brilliant film. My favourite of 2018 along with First Reformed. The near drowning shot (above) is not only an emotional roller coaster but you watch trying to figure out how the hell he shot it. Cuarón said in an interview they used a type of underwater ramp to assist but it still remains a mystery of a shot.

1.3.2019
Susanne Bier - Bird Box - 2018
Not a bad film for a lover of apocalyptic and post-apocalyptic films.


1.4.2018
Ari Aster - Hereditary - 2018
Second time seeing this film, I liked it better the second time. I don't know how intentional some of this is, but I find the film pretty humorous, like when the young girl has her head removed (images above). I found myself laughing pretty hard. Some great acting in this film and Colin Stetson's score is top notch.

1.5.2018
Christopher McQuarrie - Mission Impossible - Rogue Nation - 2015
I went about MI wrong and saw the most recent one first and then one through five after the fact. I basically couldn't watch the first two and found the last three to be the best in the series. The most recent one is beyond a doubt the best one for this viewer, this one starts a bit slow but gets pretty good starting with the motorcycle chase in Morocco. McQuarrie really can get the blood going.

Alex Garland - Annihilation - 2018
Second time seeing this. Not totally into Natalie Portman, Gina Rodriguez, nor Oscar Isaac in this film but it does have some really lovely moments and beautiful psychedelic visuals. The soundtrack really grew on me this time, starting with British Folk inspired guitar and moving into some heavy Jóhann Jóhannsson like melodies.

1.6.2018
Henry King - The Bravados - 1958
Getting more deeply into re-examining the Univers du Western, the second time seeing this Gregory Peck film. Some truly stunning photography with deep deep reds and blacks by Leon Shamroy. Great film.

1.7.2018
George Stevens - Shane - 1953
Second or third time seeing this Alan Ladd film. I forgot that Ben Johnson was in it, nice to see him play a sort of heavy. Jean Arthur hams it up a bit as does Van Heflin, but Ladd (at around 40 years old) gives a really subtle and strong performance, up there with Clift or Dean. He is a very underrated actor, one would hear his name in SF often associated with films at the festival but not much besides that.

1.8.2018
Valeska Grisebach - Western - 2017
This is just one of those great films. I had heard about it recently and from bits of description, seemed like my kind of film. I decided after watching to not really read about it as I really felt a strong bond intellectually and aesthetically to it and didn't want some just out of college upstart's words to tell me how to feel about it.  This film is one of those contemporary films that can exist somewhere where words are not necessary. I remember studying with Ernie Gehr and he would constantly talk about "gut reactions" to works being more important to him than using text as a supplement. He and I had similar taste in books and when I brought a book to class he said he had purchased it as well and just started the process of looking at the images. How reading the text would have to wait until the images had been consumed. This film takes place in this great area of non-verbal understanding. At first our German hero (or non hero) struggles to communicate with the townsfolk in rural Bulgaria. He slowly comes to some sort of communication with some of them in a almost non verbal way, and then the communication appears to be not as strong as the film progresses. He is a great bullshitter our hero, a fellow not likable in many ways but truly a pleasure to watch. Sandwiched in between many other westerns I have been watching, the title goes well with the atmosphere I have set up in my mind lately, yet it is a stretch to call it a "vestin" as a German might say, yet in a way it has many common themes that run through the genre.

Felix van Groeningen - Beautiful Boy - 2018
Not a film I took a liking to but really was enjoying the Marin landscapes.

1.9.2019
Don Siegel - The Shootist - 1976
Third time or so seeing this. Initially saw as a young man and had a lot of trouble with it, maybe the aging (anti) hero part of it didn't appeal to me but I think more specifically the made for television feel of the film. A second viewing I fell in love. Reminds me of when I was a kid and all these great films were on AMC and you could watch multiple times and see films only your grandparents had heard of. This time I enjoyed it even more, such a strong performance by Wayne and Bacall, heavy subject matter. The style of this film is very striking, with quite raw sound and plain Jane aesthetics.

Lucrecia Martel - Zama - 2017
A film not without interest, subtly obscure NYRB narrative with a very intriguing soundtrack/sound design.

1.10.2019
John Sturges - Joe Kidd - 1972
Clint Eastwood western shot by Bruce Surtees. Good deep reds and darkness from the western master cinematographer who shot The Beguiled, Play Misty for Me, Dirty Harry, The Outfit, Night Moves, The Outlaw Josey Wales, The Shootist, Escape from Alcatraz and some well know 80s films.

Sunday, August 20, 2017

plato's cave forty (being a film journal) univers du western

Clint Eastwood - High Plains Drifter - 1973
Some actors of note and key films from
Clint Eastwood's second film as director

Clint Eastwood
- A Fistful of Dollars - 1964, Sergio Leone
- For a Few Dollars More - 1965, Sergio Leone
- The Good, the Bad and the Ugly - 1966, Sergio Leone
- Hang 'Em High - 1968, Ted Post
- Coogan's Bluff - 1968,  Don Siegel
- Two Mules for Sister Sara - 1970,  Don Siegel
- The Beguiled - 1971,  Don Siegel
- Play Misty for Me - 1971, Clint Eastwood
- Dirty Harry - 1971,  Don Siegel
- Joe Kidd - 1972 , John Sturges
- High Plains Drifter - 1973, Clint Eastwood
- Magnum Force - 1973, Ted Post
- Thunderbolt and Lightfoot - 1974, Michael Cimino
- The Eiger Sanction - 1975, Clint Eastwood
- The Outlaw Josey Wales - 1976, Clint Eastwood
- The Gauntlet - 1977, Clint Eastwood
- Every Which Way But Loose - 1978, James Fargo
- Escape from Alcatraz - 1979, Clint Eastwood
- Bronco Billy - 1980,  Clint Eastwood
- Firefox - 1982,  Clint Eastwood
- Pale Rider - 1985,  Clint Eastwood
- Unforgiven - 1992,  Clint Eastwood
- In the Line of Fire - 1993, Wolfgang Petersen
- A Perfect World - 1993, Clint Eastwood
- The Bridges of Madison County - 1995, Clint Eastwood
- Absolute Power - 1997,  Clint Eastwood
- True Crime - 1999,  Clint Eastwood
- Blood Work - 2002,  Clint Eastwood
- Million Dollar Baby - 2004,  Clint Eastwood
- Gran Torino - 2008,  Clint Eastwood

John Quade (left)
- Bad Company - 1972, Robert Benton
- High Plains Drifter - 1973, Clint Eastwood
- Papillon - 1973, Franklin J. Schaffner
- The Sting - 1973, George Roy Hill
- Rancho Deluxe - 1975, Frank Perry
- 92 in the Shade - 1975, Thomas McGuane
- The Outlaw Josey Wales - 1976, Clint Eastwood
- Every Which Way But Loose - 1978, James Fargo

Geoffrey Lewis
- Bad Company - 1972, Robert Benton
- High Plains Drifter - 1973, Clint Eastwood
- Dillinger - 1973, John Milius
- Thunderbolt and Lightfoot - 1974, Michael Cimino
- Every Which Way But Loose - 1978, James Fargo
- Bronco Billy - 1980,  Clint Eastwood

John Hillerman
- The Last Picture Show - 1971, Peter Bogdanovich
- What's Up, Doc? - 1972,  Peter Bogdanovich
- High Plains Drifter - 1973, Clint Eastwood
- Paper Moon - 1973,  Peter Bogdanovich
- Chinatown - 1974, Roman Polanski
- The Day of the Locust - 1975, John Schlesinger

Billy Curtis
- The Wizard of Oz - 1939
- Meet John Doe - 1941, Frank Capra
- Saboteur - 1942, Alfred Hitchcock
- Limelight - 1952, Charles Chaplin
- The Incredible Shrinking Man - 1957, Jack Arnold
- Planet of the Apes - 1968, Franklin J. Schaffner
- High Plains Drifter - 1973, Clint Eastwood

Anthony James
- In the Heat of the Night - 1967, Norman Jewison
- Vanishing Point - 1971, Richard C. Sarafian
- High Plains Drifter - 1973, Clint Eastwood
- Unforgiven - 1992,  Clint Eastwood

Verna Bloom
- Medium Cool - 1969, Haskell Wexler
- The Hired Hand - 1971, Peter Fonda
- High Plains Drifter - 1973, Clint Eastwood
- After Hours - 1985, Martin Scorsese
- The Last Temptation of Christ - 1988, Martin Scorsese

Friday, June 10, 2011

univers du western - true grit






cohen brothers - true grit - 2010
liminal opening shot
cinematographer - roger deakins

Saturday, February 26, 2011

rio bravo

howard hawkes - rio bravo - 1959

classic drone series
sound, sound design, music in film
(univers du western)






 opening sequence with dean martin looking for a drink in the cantina
unusual edits in the music plus changes in the mood of the music accentuate
the action and violence
in contrast to the editing of the picture, which is pretty standard, except for
the drawing and firing of the pistol by joe burdette (screen captures)

certainly one of the most striking and inventive opening sequences in film history
the first dialogue is at 4.45 into the film

(for more unusual editing in a fight scene : see the bar fight with bogart in
nicholas ray's in a lonely place - 1950)


music - dimitri tiomkin,
dean martin, ricky nelson, walter brennan - my rifle my pony and me, cindy, rio bravo
(see dean martin bear family box set return to me)
sound - robert b. lee (the treasure of the sierra madre, the big sleep)

(number 11 of 500 detailing westerns)

Wednesday, March 17, 2010

judd the shaker architect











in marfa now mostly to see the landscape (and to clear my head),
but was very taken today by the architecture of donald judd, especially looking at it through the eyes of henry plummer's new book stillness and light: the silent eloquence of shaker architecture.
more to come on the landscape and light of west texas, from the eyes of a western director.
(scouting locations for a new western taking place in the marfa area, and possibly kraków poland, with a limitation of one word every 5 minutes, and each shot not to be less than 4 minutes and not to exceed the length of the film. in addition, 4 animals [as actors] for each actor, on and off-screen violence to be equal. inspired by lonesome dove, john ford, robert bresson and ingmar bergman/sven nykvist, chantal akerman/michael snow/ernie gehr, howard hawks, la monte young and the border trilogy)

1 - 2 : shaker light / minimalism
3 : western
4 : chinati kitchen
5 - 7 : shaker light / minimalism
8 : exterior (military minimalism)
9 : window
10 : untouched building

Tuesday, October 6, 2009

univers du western - wagon master, my darling clementine








don't shoot,
please don't shoot,
my boys,
you killed my boys,
good boys they was too,
jesse, luke, luke was my oldest boy

john ford - wagon master - 1950
(charles kemper)









don't shoot me marshal,
marshal,
my boys,
ike, sam, phin, billy
(they're dead)

john ford - my darling clementine - 1946
(walter brennan)

(number 10 of 500 detailing westerns)
(number 1 of * on john ford)