Showing posts with label religion. Show all posts
Showing posts with label religion. Show all posts

Saturday, June 12, 2010

the glorification of passive



...in the canonical life of st. sergey is that of the bear that emerged from the woods to come face~to~face with the saint. subdued by the sanctity of the holy man, the animal peacefully accepted some of the bread and water that was st. sergey's only nourishment, returning each subsequent day to share this frugal meal. this friendship between the beast and the saint is depicted among the frescoes on the entrance tower to the monastery, and dostoevsky as a child must have seen it many times.

these stories of the lives of the saints were deeply steeped in the special spirit of russian kenoticism - the glorification of passive, completely nonheroic and nonresisting suffering, the suffering of the despised and humiliated christ - that is so remarkable a feature of the russian religious tradition.... the admiration of the russian common people for "the spirit of asceticism and renunciation, the love of poverty, the craving for self~sacrifice and self~mortification".

pages 26 & 27 from joseph frank's dostoevsky: a writer of his time
images - antonella da messina - st jerome with his friend the lion plus detail

Saturday, July 26, 2008

the walls are excellent & high & upon an horizontal line












in 1795, when shirley, massachusettes, was a community of 200 shakers living on three thousand acres, an outside observer recorded, "the walls are excellent & high & upon an horizontal line, & as straight as they can be laid."

inspired by visionary experiences, the gift drawings bridge the heavenly and the earthly spheres.
...imaging heaven as a perfectly balanced array of circles, squares, and rectangles that signified walls, architectural structures, and roads (cat. 38). others depicted delicately rendered trees, fruits, flowers, and other natural forms, as well as shaker meeting houses, chairs, tables, clocks, chains, necklaces, and other human-made structures and objects, rendered more decorative than those common in daily life on earth. other gift drawings are replete with esoteric symbols, including masonic symbols such as the all-seeing eye and checkerboard patterns. gift drawings are also typically distinguished by their precise graphic quality, which links words elegantly written in upright, noble scripts with their delicately rendered visual counterparts as unified elements of thoroughly structured designs. portraying heaven as an idealized image of the earth, the gift drawings exemplified the shakers' view of their community...

images & text from shaker gift drawings and gift songs, the drawing center, ucla hammer, & university of minnesota press, 2001

view titles of images here ***

another fine book to consider:
shaker design, whitney norton - whitney museum of american art, 1986

Thursday, July 12, 2007

tour de l'apocalypse

robert garcet's tower of the apocalypse
image from: fantastic architecture: personal and eccentric visions, 1980 harry abrams

text from the book:
born in 1912, robert garcet is a stonecutter by profession. around 1930, he settled in fort ebenemael, belgium, building a house there, then a workshop. in the early fifties, he began the tour de l'apocalypse. garcet sees the church as the cause of today's chaos. he pleads for the reinterpretation of the bible and the study of the past in order to obtain knowledge for the future. garcet is considered an eccentic and has met with much hostility, garcet has lived there most of the time.

Monday, May 21, 2007

visions of the divine

m swiezynski st francis 2005

(a small list of artists interested in the divine)
f=film, m=music , b=books

1 (f). the work of robert bresson.
esp. diary of a country priest 1951, au hazard balthazar 1966, mouchette 1967.
see: robert bresson: a spiritual style by joseph cunneen, transcendental style in film by paul shrader, the hidden god: film and faith by the moma

2 (m). current 93: black ships ate the sky 2006

3 (m). sufjan stevens: seven swans 2004
esp. the transfiguration

4 (b). fyodor dostoevsky
esp. the idiot 1869, brothers karamazov 1880

5 (f). rainer werner fassbinder: berlin alexanderplatz 1980

6 (m). the velvet underground: the black angels deathsong from the velvet underground & nico 1967, jesus from the velvet underground 1969

7 (f). martin scorsese: mean streets 1973
st. francis etcetera

8 (m). j.s. bach: works

9 (m). david sylvian: the devil's own from secrets of the beehive 1987, praise from dead bees on a cake 1999

10 (m). gavin bryars / tom waits: jesus' blood never failed me yet 1993 (and 1975)

11 (m). iron & wine: jesus the mexican boy from sea and the rhythm 2003

12 (m). wilco: jesus, etc. from yankee hotel foxtrot 2003

13 (m). hank williams: jesus remembered me, jesus died for me, jesus is calling, when god comes and gathers his jewels, i saw the light, a home in heaven, the prodigal son, angel of death, when god dips his love in my heart, etc.

14 (m). tom waits: chocolate jesus from mule variations 1999, gods away on business from blood money 2002

15 (f). ernst lubitsch: heaven can wait 1943

16 (m). john tavener: the protecting veil 1989

17 (m). the hafler trio: kisses with both hands from gods little toy 2003

18 (m). valentin silvestrov: choral: a vengeful god from silent songs 2004

19 (m). heinrich ignaz franz von biber: rosary sonatas 1674?

20 (m). steve roden: st. francis' vision of the musical angel from so delicate and strangely made 1993

21 (m). scott walker: angels of ashes, the seventh seal both from scott 4 1969

22 (m). peter wright: flypost of angels from pariahs sing om 2000-2003

23 (m). willie nelson: angel flying to close to the ground, heaven and hell from phases and stages 1974, red headed stranger 1975, the troublemaker 1976, blue skies from stardust 1978, hallelujah (leonard cohen) from songbird 2006

24 (f). fred zinnermann / audrey hepburn: the nun's story 1959

25 (f). william wyler: friendly persuasions 1956

26 (f). john ford: 3 godfathers 1948, the searchers 1956

27 (f). c.t. dreyer: la passion de jeanne d'arc 1928, day of wrath 1943, ordet 1955

28 (f). william friedkin: the exorcist 1973

29 (m). bonnie prince billy: god's small song from cursed sleep single 2006

30 (b). cormac mccarthy: the crossing 1994
....there was god and there was the world. he knew that the world would forget him but that god could not. and yet that was the very thing he wished for.
pp 148, 149 and others...

31 (m). deathprod: morals and dogmas 2004
esp. track 2.

32 (f). jim jarmusch: dead man 1995

33 (b). thomas mann: doktor faustus 1947

34 (m). robert johnson's crossroads

i was given a nice small moleskine a year ago, and i slowly started to write down artists that in some way made reference to the divine (or timothy temper from doktor faustus) that i was watching, listening to, reading, or thinking about. the list didn't get very far, but here is the beginning (you can bet there will be more to come......)
also, click on religion below for more items.

m swiezynski st francis 2005

Tuesday, May 8, 2007

wonderous and divine (of or pertaining to a god, esp. the supreme being)

"he would pull these songs out of nowhere," robbie robertson said. "we didn't know if he wrote them or if he remembered them. when he sang them, you couldn't tell." that, in the basement tapes laboratory, is the alchemy, and in that alchemy is an undiscovered country, like the purloined letter hiding in plain site.
from greil marcus', the old, weird america: the world of bob dylan's basement tapes, 1997.

highway 61 revisited 1965
...you never understood that it ain't no good, you shouldn't let other people get your kicks for you....like a rolling stone.



blonde on blonde 1966
...and your saintlike face and your ghostlike soul, oh, who among them do you think could destroy you sad-eyed lady of the lowlands, where the sad-eyed prophet says that no man comes, my warehouse eyes, my arabian drums, should I leave them by your gate, or, sad-eyed lady, should I wait?....sad-eyed lady of the lowlands.



john wesley harding 1967
i dreamed i saw st. augustine, alive as you or me, tearing through these quarters, in the utmost misery, with a blanket underneath his arm, and a coat of solid gold, searching for the very souls whom already have been sold....i dreamed i saw st. augustine.



nashville skyline 1969
...please see for me if her hair hangs long, if it rolls and flows all down her breast. please see for me if her hair hangs long, that's the way I remember her best....girl of the north country.



almost went to see elvis nashville 1969, new york 1970
(bootleg, 1969 material includes: carl perkins, johnny cash, billy wotten, marshall grant, w.s. holland.)
(1970 sessions include: george harrison, charlie daniels, billy mundi, *bob johnson).



self portrait 1970
all the tired horses in the sun, how'm i supposed to get any ridin' done?....all the tired horses.



new morning 1970
...time passes slowly when you're lost in a dream....time passes slowly.



pat garrett & billy the kid 1973
mama, take this badge off of me i can't use it anymore. it's gettin' dark, too dark for me to see....knockin' on heaven's door.



planet waves 1974
...on a night like this, i can't get any sleep, the air is so cold outside, and the snow's so deep....on a night like this.



blood on the tracks 1975
...in a little hilltop village, they gambled for my clothes, i bargained for salvation an' they gave me a lethal dose. i offered up my innocence and got repaid with scorn. "come in," she said, "i'll give you shelter from the storm."...shelter from the storm.



the basement tapes 1975
...it was all very painless, when you went out to receive, all that false instruction, which we never could believe. and now the heart is filled with gold, as if it was a purse. but, oh, what kind of love is this, which goes from bad to worse? tears of rage, tears of grief, must I always be the thief? come to me now, you know, we're so low, and life is brief....tears of rage with richard manuel.



desire 1976
...i can still hear the sounds of those methodist bells, i'd taken the cure and had just gotten through, stayin' up for days in the chelsea hotel, writin' "sad-eyed lady of the lowlands" for you....sara.



the bootleg series, vols. 1-3 : rare and unreleased, 1961-1991 1991
...farewell angelina, the sky is on fire, and I must go....farewell angelina.



world gone wrong 1993
...he layed his head on a pillow of down. kisses she gave him three. with a penny knife that she held in her hand, she murdered mortal he....love henry.



time out of mind 1997
...last night I danced with a stranger, but she just reminded me you were the one, you left me standing in the doorway crying, in the dark land of the sun...i'll eat when I'm hungry, drink when i'm dry....standing in the doorway.



love and theft 2001
...the dusky light, the day is losing, orchids, poppies, black-eyed susan, the earth and sky that melts with flesh and bone, won't you meet me out in the moonlight alone?....moonlight.


no direction home: the soundtrack (the bootleg series vol. 7) 2005



modern times 2006
...as I walked out tonight in the mystic garden, the wounded flowers were dangling from the vines, i was passing by yon cool and crystal fountain, someone hit me from behind. ain't talkin', just walkin', through this weary world of woe, heart burnin', still yearnin', no one on earth would ever know....ain't talkin'.



return to me (dean martin), from the sopranos
return to me, oh, my dear i'm so lonely, hurry back, hurry back, oh my love, hurry back, i am yours....


dylan listening to donovan in dont look back 1967 (d.a. pennebaker)

Monday, May 7, 2007

lenz, darkness had fallen

m. swiezynski


..........grey clouds marched across the sky, but everything so close, and then the mist came swirling up and drifted dank and heavy through the bushes, so leaden, so sluggish..........

..........and the mist devoured the shape of things then half revealed their giant limbs; the surge swept through him, he sought for something, as though for lost dreams, but he found nothing..........

..........when the storm cast the clouds into the valleys and they swirled up through the trees, and the voices awoke amongst the rocks, at first like distant rumbling thunder, then arriving with a roar in mighty chords as though they wished in their wild exulting to sing the praises of the earth..........

..........and then the wind fell silent and far below a sound like lullabies and church bells rose from ravines and treetops, and a delicate red spread upwards in the dark blue sky, and tiny clouds went past on silver wing..........

..........darkness had fallen, heaven and earth had melted into one..........

(and later)
..........towards evening they reached the rhine valley. they drew further and further away from the mountains that now rose onto the red of evening like a deep-blue crystal wave upon whose floods of warmth the russet glow of evening played; across the plain at the foot of the mountains lay a shimmering blue. it grew dark as they came closer to strasbourg; a full moon high in the sky, distant objects all dark and vague, only the hill close by in sharp relief; the earth was like a goblet of gold over which the golden waves of moonlight foamed and tumbled. lenz stared out, impassive, without a flicker of recognition or response, except for a turbid fear that grew as more and more things disappeared in the darkness..........

from john reddick's translation (1993 penguin) of georg büchner's lenz, not published during his lifetime (he died at age 23 in 1897).

also of interest in reddick's notes:
12. represented by a colour: "red signifies faith; yellow, love; blue, knowledge... each of the twelve apostles of our lord and saviour jesus christ has his own particular colour" from d.e. stober's vie de j.f. oberlin (1831).

Thursday, April 26, 2007

la mélancolie et le christ mort

hans holbein the body of the dead christ in the tomb 1521

andrea mantegna the lamentation over the dead christ c. 1490


dostoyevsky said after viewing hans holbein's the body of the dead christ in the tomb, one might lose their faith and proceeded to write the idiot. that holbein's painting was so visceral then (and still is), is quite wonderful.
paintings of - beauty, melancholia, love and otherworldliness.


giovanni bellini dead christ supported by the madonna and st john (pietà) 1455

giovanni bellini dead christ in the sepulchre (pietà) c. 1460

giovanni bellini dead christ supported by the madonna and st john (pietà) 1460

giovanni bellini dead christ supported by angels (pietà) c. 1474

giovanni bellini pietà 1505

sandro botticelli lamentation over the dead christ with saints c. 1490

vittore carpaccio the dead christ c. 1520

enguerrand charonton pietà de villeneuve-lès-avignon (detail) c. 1460

petrus christus the lamentation 1455-60

albrecht durer lamentation for christ 1500-03

albrecht durer lamentation for the dead christ 1495-98

albrecht durer deposition (no. 13) 1512

jean fouquet pietà c. 1445

hugo van der goes deposition diptych (small deposition, left wing) c. 1480

hans memling the virgin showing the man of sorrows 1475 or 1479

antonello da messina the dead christ supported by an angel 1475-78

luis de morales pietà 1560s

luca signorelli lamentation over the dead christ (detail) 1502

michel sittow pietà c. 1500

rogier van der weyden joseph of arimathea supporting the dead christ 1435