Showing posts with label saul levine. Show all posts
Showing posts with label saul levine. Show all posts

Sunday, April 1, 2018

Notes After Long Silence


Filmmaker Saul Levine Leaves MassArt Following Dispute over Artwork

My passion for film, music and reading started with studying film with Saul Levine from 1994 to 1997 at MassArt. All these years later - films I watch, I look at in a way that has so much to do with being around Mr. Levine in those years. He was just one hell of a great teacher, and going into grad school I really missed his passion as I didn't find it at the same level ever again. This business in the Art Forum article is a fucking travesty, it really reminds me that I was so lucky to have been a student at such a great time. Now with the pc nonsense that is plaguing this country, I couldn't imagine getting a proper education, luckily there had been a few teachers here and there still giving a solid education (now I am not sure). After I left grad school, most of the elder professors there were let go and young ones brought in. Just so hard to imagine the reasons behind this nonsense except the wrong people have been given power right now, it goes way beyond Donald Trump.

In addition to all this, the film in question "Notes After Long Silence", was such a huge inspiration to me in those years, and took me so far out of the conservative ideas I had about the potential of film and art in general. Working with sound throughout my life, Mr. Levine's use of sound in his films made my head spin and started a life long pursuit of what could be described as the lushness and jouissance of surface imperfection. I can't imagine how many students have gone through that film department and been so transformed by his work and teaching.

Be damned to the ninth circle all who had anything to do with this awful business, I hope this tragedy has an impact on young people and how they process the velveeta cheese that is pushed on them by the frauds that now run these universities.

Sunday, July 12, 2009

first we must deal with the light of nature, then with nature of light





















trees found in saul levine's note to patti - 1969

title from stan brakhage's a moving picture giving and taking book
frontier press - 1971

Sunday, May 13, 2007

after long silence

speech after long silence; it is right,
all other lovers being estranged or dead,
unfriendly lamplight hid under its shade,
the curtains drawn upon unfriendly night,
that we descant and yet again descant
upon the supreme theme of art and song:
bodily decrepitude is wisdom; young
we loved each other and were ignorant.

w.b. yeats from words for music perhaps, 1932.

to hear jorge luis borges read this, take a listen to:
j.l. borges: this craft of verse. borges, in his own voice. the complete norton lectures delivered at harvard university.

Thursday, May 10, 2007

some flickers from saul levine & ken jacobs

saul levine: light lick series, 2000-2003, super 8 films.

get it while you can

get it while you can

get it while you can

get it while you can

i saw the light, praise the dark

i saw the light, praise the dark (with beautiful references to the bauhaus)

i saw the light, praise the dark

i saw the light, praise the dark

i saw the light, praise the dark

amazing grace

detour

detour

detour

detour

detour

born under a bad sign

born under a bad sign

born under a bad sign


ken jacobs celestial subway lines, nervous magic lantern 3d, 2003/2005, performance.


















saul levine's light lick series - essay by p. adams sitney on saul levine in this months art forum here:
ecstatic flicker films inspired by jazz and mystic visionary practice, light licks is a series of films begun in 2000 and made frame by frame, often by flooding the camera with enough light to spill beyond the gate into frames left unexposed. begun in 2000, the series is ongoing—by the waters of babylon in the hour of the angels is the most recently completed light lick. “i saw the light - praise the dark." - saul levine
the bauhaus photography, design and painting and esp. the chicago bauhaus creep up into many of these frames. and of course mysticism and alchemy. missing in these stills is the lovely flicker that pulses like a slow moving train.

ken jacobs's celestial subway lines: from his 2003 nervous magic lantern performance at anthology film archives nyc. a dvd* approximation was released in 2005 by tzadik.
the performance is part of his nervous system series.
described by the pfa:
jacobs's apparatus here is not the camera, but the projector. [the projection apparatus] consists of two analytical projectors (or magic lanterns) which can show the film frame by frame, or freeze it immobile on the screen....by breaking the automatic whir of twenty-four frames a second, jacobs returns cinema to its prehistory in marey and muybridge's analysis of motion....the slightly different film frames, diverted from an illusion of motion by the analytical projectors, begin to produce spatial illusions....the nervous system plays on our nervous system. jacobs not only operates his analytic projectors, he also hooks into our most primal processes of perception.

*(my only advise is to watch the jacobs dvd silent)