







david cronenberg:
eastern promises, 2007
cinematography by
peter suschitzky (
a history of violence,
spider,
existenz,
crash)
(my apologies to mr. cronenberg for not having included him in this artofmemory survey, he has always been one of my favourite filmmakers, and this new film is certainly one of his best, a truly beautiful, disturbing and complicated work. a teacher in school once remarked that a truly great film always makes the
time after leaving the theater seem like a continuation of the film, that perception is heightened and even changed, but in a way specific to the vision of the director. an example for me has always been when i first saw a
robert bresson film, the sounds i noticed on the rainy streets after the film, were sounds i had never heard before, and every footstep was like a note from
j.s. bach's
goldberg variations, complex and sublime. not only this, but the relationship of sound and image out in the street, was something right out of the film, and i remember nearly falling numerous times. this feeling was certainly felt in the extreme after leaving
eastern promises late last night, and continued even into my walk this afternoon.)