Showing posts with label jim jarmusch. Show all posts
Showing posts with label jim jarmusch. Show all posts

Sunday, February 12, 2017

plato's cave three (being a film journal)

jim jarmusch - paterson - 2016

went to the sunshine cinema with my lovely wife a couple of weeks ago to see the new jim jarmusch film, which has the title of paterson; both the hero's name and the town in which he lives. this double naming is quite a lovely bit i believe.

it was really a pleasant film to watch from beginning to end, with maybe the exception of a few moments with bored behavior from the character's better half.  vaguely jeanne dielmanesque in structure - finding the character waking up and looking at his watch (no portable telephone, as he does not find a need for them except later in the film to borrow someones for a slight emergency), kissing his women, and going about his day. toward the end of each day he goes to the pub, adding this bit of pleasure whilst he walks the dog named nellie as played by marvin. the moments in the pub (and getting there) where highlights, with moments of unrequited love, violence, angry wives, and chess happening within.

here and there paterson writes a poem. maybe walser in nature slightly as he wakes to him every morning. the poems are interesting as they are as simple as they are heavy. this quality is accentuated by the way the poems are read - with the hero's words layered slightly sonically (or at least i heard them that way) and happening quite slowly and with intermissions that can be seconds or minutes.

the imaginary poems of masatoshi nagase's character "japanese poet" are evocative and sublime, and poems i would very much love to read. as are rod padgett's for the film :

when you’re a child
you learn
there are three dimensions:
height, width, and depth.like a shoebox.
then later you hear
there’s a fourth dimension:
time.
hmm.
then some say
there can be five, six, seven…

i knock off work,
have a beer
at the bar.
i look down at the glass
and feel glad.

ron padgett

Tuesday, March 20, 2007

robby müller, cinematographer

robby müller (1940-)
bio from wim wenders site:
"robby mueller was born on april 4th 1940 in villemstad, curacao, on the dutch antilles. he studied at the filmacademy in holland from 1962 to 1964 and started to work as a director of photography soon afterwards".
certainly one of the most interesting living cinematographers, he has worked with wim wenders, lars von trier and jim jarmusch among others.

his filmography includes: the american friend, repo man, paris, texas, to live and die in l.a., down by law, barfly, mystery train, dead man, breaking the wave, and dancer in the dark.a great example of his craftsmanship is the ending sequence of dead man, when the canoe drifts out into oblivion (see image below).


paris, texas 1984 (d. wim wenders)


the american friend 1978 (d. wim wenders)


breaking the waves 1996 (d. lars von trier)


dead man 1995 (d. jim jarmusch)



down by law 1986 (d. jim jarmusch)


dancer in the dark 2000 (d. lars von trier)



some films:
-the scarlet letter 1973 (d. wim wenders)
-the wrong movement 1975 (d. wim wenders)
-kings of the road 1976 (d. wim wenders)
-the american friend 1978 (d. wim wenders)
-saint jack 1979 (d. peter bogdanovich)
-honeysuckle rose 1980 (d. jerry schatzberg)
-they all laughed 1981 (d. peter bogdanovich)
-tricheurs 1984 (d. barbet schroeder)
-repo man 1984 (d. alex cox)
-paris, texas 1984 (d. wim wenders)
-to live and die in l.a. (1985) (d. william friedkin)
-down by law 1986 (d. jim jarmusch)
-barfly 1987 (d. barbet schroeder)
-mystery train 1989 (d. jim jarmusch)
-korczak 1990 (d. andrzej wajda)
-until the end of the world 1991 (d. wim wenders)
-dead man 1995 (d. jim jarmusch)
-breaking the waves 1996 (d. lars von trier)
-buena vista social club (1999) (director of photography: amsterdam) (d. wim wenders)
-dancer in the dark 2000 (d. lars von trier)
-coffee and cigarettes 2003 twins & memphis version segments (d. jim jarmusch)